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There are 21 results.
1. Chantry Canticles | |||||||||||||||
| The Chantry Canticles were composed by Neil Sands for Chantry Quire, and sung by them in Chichester Cathedral in March 2003. It hearkens back to the old fauxbourdon style. There is a tenor solo in the Magnificat and a soprano solo in the Nunc Dimittis. | Duration: 5'45" Ensemble: choral SATB unaccompanied Grading: Difficult View score |
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2. Cwrw Da | |||||||||||||||
Mae Cwrw Da yn drefniant ar gyfer côr SSAA o'r gân yfed boblogaidd a thraddodiadol, gan Neil Sands. Cafodd y gân ei pherfformiad cyntaf gan Chantry Quire yn Chichester yn 2002. Cwrw Da is an arrangement for SSAA of the popular Welsh drinking song by Neil Sands. It was first performed in Chichester by Chantry Quire in 2002. |
Duration: 2'00" Ensemble: choral SSAA unaccompanied Grading: Easy View score |
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3. Dafydd y Garreg Wen | |||||||||||||||
Mae Dafydd y Garreg Wen yn drefniant digyfeiliant gan Neil Sands ar gyfer côr SSAA o gerdd enwog Ceiriog Hughes. Mae'r gân ar gael hefyd ar gyfer côr SATB. Cafodd y gôn ei pherfformiad cyntaf gan Chantry Quire yn Chichester yn 2002. Dafydd y Garreg Wen is an unaccompanied arrangement by Neil Sands for SSAA of the popular traditional Welsh folksong, with words by Ceiriog Hughes. Also available for SATB. It was first performed by Chantry Quire in Chichester in 2002 |
Duration: 2'00" Ensemble: choral SSAA unaccompanied Grading: Easy View score |
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4. Death on a Cross | |||||||||||||||
| Death on a Cross is a short anthem for unaccompanied SATB, written in 2002 by Neil Sands. The text is taken from the second letter of St Paul to the Philippians. The first performance was given during Lent in 2004 by the St Richard Singers of Chichester. | Duration: 2'30" Ensemble: choral SATB unaccompanied Grading: Difficult View score |
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5. Hush No More | |||||||||||||||
| Hush, No More is a magical little chorus from Purcell's The Fairy Queen, here arranged for unaccompanied SATB by Neil Sands. It was first performed by Lymington's Amici Singers in 2001. Editorial dynamic markings are included. |
Duration: 1'45" Ensemble: choral SATB unaccompanied Grading: Easy View score |
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6. Mae 'Nghariad i'n Fenws | |||||||||||||||
Mae Mae 'Nghariad i'n Fenws yn drefniant o'r gân werin gariad ar gyfer tenor a phiano, sy'n cymysgu elfennau rhamantus a jazz. Mae 'Nghariad i'n Fenws is an arrangement for tenor solo and piano of a traditional Welsh love song, which combines romantic elements with jazz harmony. It was first performed by Iestyn Morris and Victoria Shone at the arranger's wedding. |
Duration: 2'00" Ensemble: tenor piano Grading: View score |
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7. On Marriage | |||||||||||||||
| On Marriage was composed by Neil Sands and first sung at his wedding by Iestyn Morris, with Victoria Shone at the piano. The text is from Kahlil Gibran's The Prophet. | Duration: 4'00" Ensemble: tenor piano Grading: View score |
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8. Sainte Cécile | |||||||||||||||
| Sainte Cécile is a setting for unaccompanied SATB of a text by St Teresa of Lisieux, in praise of Saint Cecilia, the patron saint of music. However the text concentrates not on her musical connections, but on Cecilia's life story, in which she submitted herself fully to the will of God, and declared Christ as the spouse of her soul. Teresa had a great devotion to Cecilia, and tried to emulate in her own life the values Cecilia had lived in hers. | Duration: 3'15" Ensemble: choral SATB unaccompanied Grading: Difficult View score |
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9. Salve Regina | |||||||||||||||
A setting for unaccompanied SATB of the prayer Hail, Holy Queen (in Latin). The piece's four sections start with a tranquil and lyrical opening in a radiant A major. This leads to a vigorous and frightening 'Ad te clamabo' - 'To thee do we cry, poor banished children of Eve'. After this the peace returns for 'Eia ergo' - 'Turn then, most gracious advocate', and the serene invocation 'O clemens' - 'O clement, O loving, O sweet virgin Mary' rounds the piece off in an atmosphere of approaching slumber. |
Duration: 5'45" Ensemble: choral SATB unaccompanied Grading: Difficult View score |
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10. She Moved Through the Fair | |||||||||||||||
| This arrangement of the Irish folksong She Moved Through the Fair was written for the contralto Victoria Shone, and given its first performance by her, with Patrick Larley accompanying, in July 2003.
Another verse (the third) was added to the original version at the request of Carola Darwin. |
Duration: 4'15" Ensemble: mezzo soprano piano Grading: View score |
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11. String Sketches | |||||||||||||||
| An energetic little quartet in three movements. The first movement combines a stately pizzicato with a high solo for the first violin, which hands over to solos in the other instruments. The second movement is a more intense, brooding piece. The third and final movement is a fast and energetic scherzo. The whole quartet lasts a little over six minutes. I thought these 3 movements were fantastic.....Modern, well formed and complex writing that is palatable for composers and audiences alike. - Nigel Peers Coombes. |
Duration: 6'15" Ensemble: string quartet violin viola cello Grading: View score |
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12. Suite for Oboe and Harpsichord | |||||||||||||||
| A quasi-Baroque suite in four movements for oboe and harpsichord or piano. The first movement is a regal Pavanne, which takes the players on a slow procession through several keys, always underpinned in the left hand of the harpsichord by a repeating rhythm. The Largo gives the oboe passionate phrases, which begin quietly and gradually grow in volume and intensity before falling away again. A jaunty little Mazurka and a three-part imitative Finale finish the suite. The full score and the oboe part are available together. |
Duration: 7'00" Ensemble: oboe harpsichord or piano Grading: View score |
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13. The Hope of All the World | |||||||||||||||
| The Hope of All The World is a very short (1'30") carol for Christmas, for SATB with soprano solo. It was first performed at Christmas 2001 by the Ytenerent singers of Lymington, soloist Ruth Buddell. | Duration: 1'30" Ensemble: choral SATB Grading: Medium View score |
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14. Were You There? | |||||||||||||||
| Were You There? is a powerful but simple arrangement of the very popular spiritual often used around Easter time. It is arranged here for unaccompanied SATB. Eight verses are given but there's no need to sing them all if you want to use a shorter version. On the other hand, using all eight verses can provide a wonderful backdrop for example to the Veneration of the Cross in a Good Friday service. Each verse is about a minute long, so the whole song lasts roughly eight minutes. Were You There? was first performed by the Elizabethan Madrigal Singers in Aberystwyth. |
Duration: 8'00" Ensemble: choral SATB unaccompanied Grading: Easy View score |
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15. Word Made Flesh | |||||||||||||||
| Word Made Flesh is a setting of the mystical opening
of the gospel of St John: In the beginning was the word.... It was
commissioned by the Lymington Choral Society and first performed
by them under Peter Davies in December 2000. It is scored for SATB with chamber
ensemble using the same instrumentation (flute doubling piccolo, oboe, cello, harp,
chamber organ and timpani) as the small version of Rutter's Requiem, an ideal
companion piece, which was performed in the same program. There are three entries for Word Made Flesh in the catalogue, so please make sure you know what you're ordering. This page shows the full score. In addition, there are vocal scores and instrumental parts available. |
Duration: 8'00" Ensemble: choral SATB flute piccolo oboe cello harp organ timpani Grading: Medium/Difficult View score |
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16. Home / Cartref | |||||||||||||||
| Trefnwyd y gân hon ar gyfer Cantorion Creigiau, sy wedi ei recordio fel rhan o'i CD Unwaith Eto (SAIN SCD2463). Mae unawdyddes soprano yn canu'r alaw, gyda chefnogaeth o'r piano, ac mae'r côr yn canu'r cytgain bob tro, yn ddigyfeiliant. Written originally for Cantorion Creigiau and recorded by them on their CD Unwaith Eto (SAIN SCD2463). A soprano soloist sings the tune, supported by the piano, and the chorus is sung each time by the choir, unaccompanied. |
Duration: 3'00" Ensemble: soprano SATB piano choral Grading: Medium View score |
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17. A Look to the Skies | |||||||||||||||
| The words to this atmospheric piece are by Mark Nall. The music is still and evocative, static but ever shifting. The piece was given its first performance by students at University College of North Wales, Bangor, under the direction of the composer and in the presence of the poet. If you are performing this, you'll probably need a score for the conductor if you use one, and another for the contralto. The other instrumentalists have their separate parts, as usual. |
Duration: 6'15" Ensemble: contralto trumpet string quartet Mark Nall Grading: View score |
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18. Winter Song | |||||||||||||||
| A charming setting for three equal voices (men's or women's, or children's) and piano of a carol for Christmas by Leslie Norris. | Duration: 2'15" Ensemble: 3 equal parts choral Grading: Easy/Medium View score |
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19. Dafydd y Garreg Wen | |||||||||||||||
Mae Dafydd y Garreg Wen yn drefniant digyfeiliant gan Neil Sands ar gyfer côr SATB o gerdd enwog Ceiriog Hughes. Mae'r gân ar gael hefyd ar gyfer côr SSAA. Cafodd y gôn ei pherfformiad cyntaf gan Chantry Quire yn Chichester yn 2002. Dafydd y Garreg Wen is an unaccompanied arrangement by Neil Sands for SATB of the popular traditional Welsh folksong, with words by Ceiriog Hughes. Also available for SSAA. It was first performed by Chantry Quire in Chichester in 2002 |
Duration: 2'00" Ensemble: choral unaccompanied SATB Grading: Easy View score |
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20. Pomp and Circumstance March Number One | |||||||||||||||
| A lively arrangement for choir of Elgar's famous masterpiece. This arrangement was commissioned by St Richard Singers of Chichester, and given its first performance by them. Although it's accompanied, most of the decorative figuration is in the choral parts, to syllables that suggest the instruments that play those lines in Elgar's original. A pronunciation guide is supplied, which includes the cymbal clashes and bass drum bangs the choir have to perform! It's a lot of fun to rehearse and perform, and of course your audience can join in with the Land of Hope and Glory part! |
Duration: 7'00" Ensemble: choral SATB piano Grading: Difficult View score |
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21. Herongate | |||||||||||||||
| A setting of the famous hymn for Eastertide It is a thing most wonderful, for unaccompanied SATB, in which the tune always appears in one part or another all the way through. A tenor solo kicks off, before the choir bring in the second verse at a slightly faster tempo. Verses 3 & 4 are more introspective, with an ebb and flow that follows the natural line of the phrases. Some passionate moments and some reflective sections make this short piece a joy to sing. Herongate is dedicated to Anthony Cartmell. |
Duration: 2'00" Ensemble: SATB unaccompanied choral Grading: Medium View score |
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